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FALL 2017

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Bonnie Phillips '60 Lives a Vibrant Life Championing Utah Artists—and the Golden Rule
Posted 11/20/2017 04:15PM

Gallery Owner and Artist Traces Passions Back to Rowland Hall Education

Bonnie Phillips '60 and husband Denis founded the Phillips Gallery in 1965, and now it holds the title of the oldest-running commercial art gallery in the Intermountain West. Mature shade trees form a canopy over their tidy historic storefront that for 50 years has held its own against newer, bigger commercial buildings on the block. Much like its owners, it's comfortably elegant and teeming with fascinating stories.

The gallery holds a special place in Salt Lake as a factual framework for Utah art history. Artists Bonnie and Denis built their successful business by representing—and often befriending—other regional artists, including Rowland Hall alumni Lee Deffebach '45, Stephen Goldsmith '72, and Hadley Rampton '94. In the late 1960s, Utah Art and Sculpture magazine recognized the Phillips Gallery for "challenging the bounds of Utah taste through their intelligent promotion of less traditional art" and called the business "the first viable modernist and avant-garde concern in the Utah art market."

Indeed, Bonnie has done more than establish an alluring storefront: she's cultivated a community of creatives and served as an ambassador for Utah arts, according to Hadley, a gallery fine art consultant. Phillips Gallery almost exclusively shows pieces by Utah artists, and clients visiting Salt Lake from major art centers such as New York City or Los Angeles "are just blown away by the quality and variety of work here," Hadley said. Salt Lake is lucky to have Bonnie, she added. "Our community here is very strong...she has definitely contributed in a big way."

Denis and Bonnie grew up in different Salt Lake neighborhoods and met after college, yet both credit the daily presence of art in their youths for what would become a mutual passion. Bonnie fondly remembers Rowland Hall as a "warm and friendly place" where teachers appreciated and nurtured her love of art. One of those teachers was the late George Fox, a beloved Rowland Hall art educator for 32 years—read more about him on page 40 of the Spring 2012 Review. With a laugh and a shudder, Bonnie recalled a memory from the so-called "A Building" on the old Avenues Campus: she watched Mr. Fox make the risky climb to the top of the foyer to open a light well so students could enjoy the sun.

"I remember the light streaming in through the huge Avenues Campus windows, illuminating the art on the walls," Bonnie said. "Some was student work and other was by professional artists—but it was all honored."

Nearly seven decades later, much of the art now illuminated on Rowland Hall's walls is there thanks to Bonnie—she has loaned the school 114 paintings from her personal collection with the hope of enriching students' educational experiences, just as the school once enriched her childhood. The collection appropriately includes 17 pieces by Bonnie and seven by her husband.

In the Beginning School, 19 loaned works contribute to the calm, beautiful environment carefully cultivated by Principal Carol Blackwell. In one piece—an untitled 2002 acrylic painting by prominent Utah artist and Rowland Hall parent Willamarie Huelskamp—a red stag turns to look behind him, toward a sliver of red moon. The other pieces also depict colorful, creatively interpreted insects, animals, and plants. Such works enlighten our youngest learners, who appreciate art's intrinsic value and worth: "Children can observe shape, color, emotional qualities, and intangible traits such as kindness," 4PreK Teacher Kate Nevins said.

For Bonnie, Rowland Hall nurtured some of those good, intangible traits. She grew up with grandparents of mixed religions and remains grateful that whether at home or school, adults around her emphasized a message of inclusion: "At Rowland Hall, we began school every morning singing hymns together in chapel," she said. "It didn't matter what your religion was at home, we all sang together. It was such a wonderful way to open our hearts and minds to learning for the rest of the day. It was truly spiritual."

Years later, Bonnie combined her passion for art with the lasting impression of kindness and spirituality to form the Golden Rule Project, an organization based on the law of reciprocity—do unto others as you would have them do unto you.

The ideas that led to the Golden Rule Project first percolated in Bonnie's mind as Edna Traul's fourth-grade student at Rowland Hall. Mrs. Traul had students memorize and recite poetry, the Pledge of Allegiance, and the golden rule. "The pledge seemed sort of exclusive, whereas the golden rule had a sense of fairness," Bonnie said.

The lessons intrinsic to the golden rule continued to simmer in Bonnie's heart, and with the help of her mother, Jane Dooly Porter '36, the Golden Rule Project became a reality in 2003. Two years later, Bonnie worked with Urban Crossroads Center and then-State Senator Fred Fife to introduce a state resolution asking lawmakers to consider the rule as they carried out their duties. Now, the project is a thriving nonprofit that combines art, mindfulness, and communication. It encourages people to incorporate the principle into their daily lives, in part by promoting the rule's many artistic representations found across faiths, philosophies, and teachings.

When Ms. Porter died in 2008, she donated her spacious, art-filled house at 1229 East South Temple to the project. Her memory lives on through the home, nicknamed Jane's House, a place designated for diverse gatherings and discussions.

Jane's House has expanded the Golden Rule Project, but art remains at the heart of the message. Beautiful variations of the golden rule hang in schools and organizations nationwide, including the Utah State Capitol. Each formulation is a unique two-page, framed diptych, measuring 21 inches by 13 inches (golden mean proportions), and letterpressed on paper hand-marbled by local artists.

Bonnie said she believes deeply in the principle. Each night, she assesses her day by asking herself, "Have I done unto others as I would have them do unto me?" The Rowland Hall community certainly thinks so. In 2009, the school inducted Bonnie into the Alumni Hall of Fame for her countless hours of service to the community.


Dooly-Phillips Family Rowland Hall Alumni

  • Peggy Dooly Olwell '33 (Jane's sister and Bonnie's aunt)
  • Jane Dooly Porter '36 (Bonnie's mother)
  • Bonnie Phillips '60
  • Ellie Olwell Roser '60 (Peggy's older daughter and Bonnie's cousin)
  • Carol Olwell '62 (Peggy's youngest daughter and Bonnie's cousin)
  • Ben Phillips '87 (Bonnie's son)


Bonnie Phillips '60 and husband Denis founded the Phillips Gallery in 1965, and now it holds the title of the oldest-running commercial art gallery in the Intermountain West. Mature shade trees form a canopy over their tidy historic storefront that for 50 years has held its own against newer, bigger commercial buildings on the block. Much like its owners, it's comfortably elegant and teeming with fascinating stories.
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Katharine Coles, Utah's Poet Laureate from 2006 to 2012, Guggenheim Fellow, and a University of Utah 2017 Distinguished Professor, returned to Rowland Hall for the first time since graduating in 1977 to share her fifth published collection of poems, "The Earth Is Not Flat," written under the auspices of the U.S. National Science Foundation's Antarctic Artists and Writers Program.
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"Define what you want, and then ask for what you want. If you don't find it where you are, create it." This advice was at the heart of Rowland Hall alumnus Dave Stockham's speech at the breakfast welcoming the class of 2017 into the Alumni Association. A member of the class of 1991, Mr. Stockham is currently the vice president of sales at Cotopaxi, an outdoor retail company focused on creating sustainable products while helping to alleviate poverty worldwide.
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